There wasn't a breath of wind and that night the music had spread all over the black liner like an injuction from heavn related to something unknown like a order from god whose meaning was inscrutable.
she had wept because she had thought of that man from Cholon--her lover and suddenly she wasn't sure of not having loved him with a love she hadn't seen because it had lost itself in the story like water in the sand and that she was rediscovering it now in this moment of music flung across the sea.
Years after the war, after the marriages, the children, the divorces, the books, he had come to Paris with his wife.
He had phoned her.
He wad intimidated.
His voice trembled and with the trembling it had found the accent of China again.
He knew she'd begun writing books.
He had also heard about the younger brother's death.
2015年12月24日。当年一定写过很多不顾一切的话，而且当真是那么想的。可是现在，about future，真的什么都不想吗？
明显有爱啊，如果我不懂年代和种族，不明白殖民地，我也会明白那种倔强、自尊和爱。恰恰相反吗？是想证明自己是爱的，不仅是为了钱、身份和地位。所以非要把自己给他，以此表明自己是爱他的。更是为了回馈他的爱。
之所以悲伤，在于纠结究竟爱还是不爱？尽管房屋修葺和打扫卫生之后才再次意识到这是平安夜。
明明他是辛苦的，操劳的，无奈的。而我只是享受着，等待着。可是about future，真的不想吗？只是因为没有更好的选择，所以赖着人家，觉得还不错。可以倾诉、商量、发脾气，但是为什么也可以信赖呢？
每一次他说我爱你，都没有回应。哪怕他问你爱我吗？依然说不出口。是因为不爱，所以说不出谎言吗？
忙碌于不知道为什么的工作和学习，对他不耐烦，只是有个说话的人，甚至是可以推卸责任给他的人。讨厌他喝酒不回家，讨厌半夜等他的电话不能睡觉，讨厌醉了多了黏糊糊的打电话。却不理睬他说分手。
以为看过原著，却是《广岛之恋》
1
第一大败笔，全篇用英语拍成。
第二大败笔，原著是欲言又止，电影是直捣黄龙直接破处。除了保留无处不在的老年女性的画外音，摩罗的声音，御用。
第三，说宁愿当妓女也不要照料麻风病人的海伦，不够漂亮。
第四大败笔，把床戏做成了南京板鸭和盐水鸭的对话。
因为是蓝光，才具备了观看的可能性。唐人街上的喧闹，补匠的老人，摆渡船的样子，梁家辉坐的小轿车，增加了婚礼场景。告别还不错。
导演说想拍出自己的爱情戏品位，说他经常到东南亚旅行，对越南和马达加斯加的贫穷非常吃惊，是世界上最穷的
情人：后知后觉的爱情
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