比起中文译名，我更喜欢它的英文名《rushmore》。
一个十八般武艺样样精通就是不务学业的高中生，一个妻子不理、儿子不爱、中年危机的成功商人，偶然成为莫逆之交，又偶然喜欢上同一个女人；然后不管是老的还是小的，都使出浑身解数欲获美女芳心，中间各种翻脸打架，变友为敌，最后又都失恋结成革命同盟……
韦斯•安德森是那种要么不爱，要爱就会爱的死心塌地的导演。他用怪诞的手法表现着不同人不同的迷茫，不是恶搞也不沉痛，好像一个中场休息，假正经的摆摆手，嘲笑一下那愚蠢可悲的坎，然后继续无所顾虑的走下去。
就讀休士頓某間預備學校的 Max 是一位有理想有抱負的熱血青年，但自從學校年輕貌美的老師（Olivia Williams 飾演）出現後，他頓時亂了方向，陷入愛情的世界裡。同個時間，他也因緣際會地與事業成功的商業大亨（Bill Murray 飾演）成了忘年之交，學到了許多哲理。可是他萬萬沒想到……。
編劇的創意相當了不起，由導演和名演員 Owen Wilson 合寫的劇本。處處充滿針鋒相對的機智對白與幽默感，加上角色塑造及演員詮釋成功，似乎真有其人在你身邊。本片男主角為 Jason Schwartzman（Talia Shire 的兒子）首次電影演出，讓人驚喜。老牌喜劇演員比爾莫瑞也有別於以往的精湛演出。
獨立精神製片獎最佳導演、男配角 (比爾莫瑞)
Maybe I am still young, Rushmore gives me more thoughts when it's over than any other Wes's films.
"I will say that Edward has more spark, character and imagination in one fingernail than Herman Blume has in his entire body."
Spark, character and imagination, so are the traits we find in men.
Also I learn that It's never an end. Everything can be turned as it goes on. Just keep an open mind.
Wes Anderson is known for making independent-type stylistic films which mix poignancy and dry humor. Anderson’s films, visually, often make use of close-ups, quick pans, and slow motion shots. He often uses folk and early rock as the background-music in scenes. His often damaged characters are viewed in a compassionate light. The depiction of escapism and companionship through chemicals seems to be one of his trademarks also. In each of his films, one or more of the main characters smokes cigarettes or marijuana, excessively drinks, takes pills, etc. Additionally, his films often feature a heavy-smoking female character. A recurring character in Anderson's films is a respected middle aged male who is essentially a fraud. All of Anderson's films, with the exception of The Darjeeling Limited, end with slow motion sequences - although The Darjeeling Limited's third to last shot is in sl
【青春年少】已经发表了可以拿出来了
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